Monday, March 22, 2010

Two Ladies

 
Item 1: Portrait of Madame X (Virginie Amélie Avegno Gautreau), 1884 by John Singer Sargent, American born in Florence in 1856, died in London 1925.
Item 2: The Black Sash (Ava Lister, Baroness Ribblesdale), 1905 by Giovanni Boldini, an Italian born in Ferrara in 1842, died in Paris in 1931.

Why is one of these so scandalous and (I think) iconic while the other...not so much? 

Could it be the name "Ribblesdale"?

1 comment:

Connie R said...

While I'm not exactly sure why, I keep thinking of an Emily Dickinson poem that suggests a possible answer:

"The thought beneath so slight a film
Is more distinctly seen, --
As laces just reveal the surge,
Or mists the Apennine."